Filter Dread steps up to the Mantis Radio session slot with a showcase mix of his grimey bass.

Hear new music from Adam X, Dead Fader, King Cannibal, Clouds, Manni Dee, + Sunil Sharpe.

DVNT
Dead Fader – Dancefloor Nemesis [Combat Recordings]
Bellerophone – Sisyphean Struggle [From A Tree]
Black Rain – Watering Hole [Blackest Ever Black]
The Future Sound of London – Somatosensory [fsoldigital]
King Cannibal – Doomsday Dancehall [Combat Recordings]
Clouds – Blood Skating [Turbo Recordings]
Developer – Clench Of Fist [Planet Rhythm]
Modeo – Purist Baptist [Audioexit]
Gunnar Haslam – Ataxia No Logos [Delsin]
Dronelock & Ontal – Superior Mirage [Shadow Story]
Kamikaze Space Programme – Network Rail [Mote Evolver]
Sunil Sharpe – Jamm 1 [Trensmat]
Joe Farr – Gabba Problems [Don’t]
Imploded View – Neon Bird [Blurry Pup Records]
Graze – Thundare [New Kanada]
Roebin De Freitas – Snitch [Ante Rasa]
Adam X – Irreformable [Sonic Groove]
VSK – 1.1 (Complex Mix) [Complex Adaptive Systems]

FILTER DREAD
SP Love
SP Love Part 2
GXG Saturday Sequence
Dark0 – 02 Wavey
untitled
Dream Stutters
Luke Benjamin – Moving On
untitled
untitled
untitled
Public Energy
Visionist – Pain
Acre + Filter Dread – Unknown
untitled
untitled
Tiltmode – Ellen Cyborg (Filter Dread remix)
Tiltmode + Filter Dread – Flow Mendez
untitled
untitled

DVNT
Savier – Guts Rage [Blood Funny Clown]
Drax – Phosphene (AnD remix) [Perc Trax Ltd.]
Manni Dee – Sister Nobody (Mønic Version) [Osiris Music UK]
weldroid – No time to complain [tonAtom]

Featured Guest

UK producer Filter Dread makes music which takes is influence from a wide range of different sounds that have emerged from underground electronic music scenes over the last few decades. Including Techno, Drum and Bass, Grime, Garage and Acid House.

Interested in the relationship between digital and analogue sounds, he’s immersed himself in different techniques and processes in order to produce work like this years Midi Space (Ramp Recordings), last years Space loops (No Corner) and 2012s’s Hyper Lost on Lost Codes.

He’s long had an interest in music that sounds as though it were made by a machine, electronic music, and the methods in which it is created.

Dread’s interest includes the emotion and imperfection, and works at balancing these elements within his music. There’s also an energy which he strives to capture in his music, the energy is lurking within the mind he says, but it’s not always obtainable.

Expect more music from him later this year and into 2015.