Today’s sweaty episode is rich with great music from the likes of Oneohtrix Point Never, Team Doyobi, Batu & Dozzy, Dillinja, Boards of Canada, twice. Kevin Martin and Ghost Dubs. The Field. Martyn. Two titans of Jazz. Aly Keïta, and, Lee ‘Scratch’ Perry.

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Episode 121
May 28, 2026

Our man Oneohtrix Point Never greets you first today. Before SKAM’s Team Doyobi; Mark Pritchard’s bossa nova channelling project Troubleman; and the Viennese breaky house of B. Visible.

Hear the first collab track between Bristol’s Batu, and Rome’s Donato Dozzy. Ahead of their new album out next month. A previously unreleased mid 90s melodic jungle cut by Dillinja follows. Before a double dose of Boards of Canada. One you’ll know and one you might have missed.

I play a new remix by Ghost Dubs of Kevin ‘The Bug’ Martin’s ambient dub. Followed by the Danish dub techno of Picture. Plus, hear the opening track of the brilliant new album by 3024’s Martyn. And an old late 2000s Flying Lotus track, for Bristol bass dons Tectonic.

Then, two tracks from 1959 by two titans of jazz. Miles Davis. And Sonny Rollins, who passed away earlier this week. They’re followed by French producer Akusmi and his propulsive minimalist jazz.

The Telescopes’ Stephen Lawrie started releasing solo material last year, hear a recent new track of his under the project FROMME. Followed by thatboytim and Sonika’s Interdimensional Drifters project, and something brand new, out next week, by the Newcastle Upon Tyne post rock, post hardcore band Sinecures.

Duster and Dirty Art Club team up as Sooj. There’s brand new music from Sweden’s The Field. Late 70s Malian music from Leon Keïta and Analog Africa. Japanese producer ABENTIS and his twinkling bubbling house music. A track from the balafon player Aky Keïta’s new record. And to close, late 70s era Lee ‘Scratch’ Perry.

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Each week Mx Darkfloor soundtracks your morning, setting you up for the day. Drawing on many styles and genres. From deep drone, ambient, and dub, through to jazz, grunge, jungle, and breaks. There’s side quests into downtempo, trip-hop, and hip-hop. As well as approachable experimental sound, African rhythms, and Asian beats. To folk, no wave, shoegaze, psych, and fuzzy sludge.

The takeaway is you never know what they’ll play, but it’ll be day friendly, good music.

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